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8 January 1836 – 25 June 1912. Most renowned painters.

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Rudolf Wiegmann
Rom, Colosseum and the Roman Forum

ID: 82225

Rudolf Wiegmann Rom, Colosseum and the Roman Forum
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Rudolf Wiegmann Rom, Colosseum and the Roman Forum


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Rudolf Wiegmann

painted Rom, Colosseum and the Roman Forum in 1835  Related Paintings of Rudolf Wiegmann :. | The setting sun | Portrait of Mary Denton, oil on panel, York City Art Gallery. | Original dedicatte | Erysichthon selling his daughter Mestra | The Vision after the Sermon |
Related Artists:
YANEZ DE LA ALMEDINA, Fernando
Spanish Painter, active ca.1506-1526
Joachim Patinir
Flemish Northern Renaissance Painter, ca.1485-1524
Raimundo de Madrazo y Garreta
Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,






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